Yodomo have visited the partnerships team at Central Saint Martins to ensure tutors and technicians communicate with students about their services, and also work with London College of Fashion’s technicians and materials shop, who receive excess leather, yarns and fabrics.
“While the technicians want to offer materials at the university, they also want to encourage students to source and familiarise themselves with the process of asking about materials, I’m definitely getting those questions now,” Rochester says.
Yodomo also leads the Sustainable Young Makers programme, which is supported by Hackney Wick, Fish Island Community Development Trust (CDT) and The Trampery.
The initiative encourages young people – not necessarily students or graduates – who design clothes or employ specific crafts. They are then enrolled on a business development programme, assigned to industry mentors, and connected with Yodomo’s materials, and therefore, what they can learn and design from them.
“There’s quite a disconnect about what is possible as an individual designer and a student versus being in the real world and having to apply those sustainable principles at a big brand and realising a lot of those can’t be carried out,” Rochester reveals, as she explains how Yodomo’s programme addresses those problems and challenges.
As the pressure for sustainable means of making increases across all industries and levels, the rise of textile reuse hubs is offering students both a cheaper and more conscious alternative. In October, a BBC report found that burning household rubbish in giant incinerators to make electricity is now the dirtiest way the UK generates power. In 2022 it was reported that textiles were the second largest polluter with the UK generating 1.45 million tonnes of textile waste (nearly the same amount as of the clothes bought that year).
CSM student Phoebe Riley, whose video has since attracted 24.4K views on TikTok, first heard of Yodomo in her second year, working on a group sustainability project. “We are constantly being told to find more sustainable alternatives,” she tells us. “Finding a way to source materials sustainably is also about being creative and taking initiative.”
Phoebe is one student amongst her vast cohort who is creating with sustainable practices at the forefront of their process. She says, “as creatives of the future, the responsibility falls on us to learn about how we can improve the textiles industry. It’s important to learn about it now, so I can apply it to my practice for the rest of my life.”